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ROLAND TRI-CAPTURE Usb Audio Interface

ROLAND TRI-CAPTURE Usb Audio Interface
  • DISCONTINUED
SKU: 156462 Catalog #: UA-33



Vancouver Store
728 Granville St.
Vancouver, BC, V6Z 1E4
604-685-8471
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2560 Barnet Hwy.,
#116 Coquitlam, BC, V3H 1W3
604-941-8447
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19638 Fraser Highway
Langley, BC, V3A 4C5
604-532-8303
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North Vancouver Store
#800-801 Marine Drive
North Vancouver, BC, V7P 3K6
604-988-9974
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#157-10090 152nd Street
Surrey, BC, V3R 8X8
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Richmond Store
#150-3631 No. 3 Road
Richmond, BC, V6X 2B9
604-273-6661
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Victoria Store
#105-2401D Millstream Road
Victoria, BC, V9B 3R5
250-383-5222
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Nanaimo Store
#10-6894 Island Hwy. North
Nanaimo, BC, V9V 1P6
250-390-2626
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Description

Details

The Power of Three! Triple Inputs & REC Modes

The new head of its class is the multifaceted TRI-CAPTURE USB interface — a unique, compact audio interface optimized for personal and mobile recording, vocal and guitar recording, and streaming-internet applications. With its mixer-like design and dedicated front-panel controls, TRI-CAPTURE makes it easy to mix, control, and monitor a variety of signals. Plug a microphone into the XLR input, an instrument into the 1/4-inch jack, and a stereo instrument or device into the AUX input. The unique REC MODE section provides instant selection of recording scenarios, including LOOP BACK for web streaming applications. TRI-CAPTURE is full-featured yet portable, and is USB bus powered for a clean, simple setup.

- Affordable, easy-to-use interface for guitarists, vocalists, and other musicians
- Also works great for video production, web streaming, and creating podcasts with unique LOOP BACK function
- XLR mic input with phantom power, plus 1/4-inch input with Hi-Z switch for connecting a guitar directly
- Stereo AUX input with dedicated volume control
- Balanced 1/4-inch TRS outputs and headphone jack
- Low-latency ASIO driver; recording and playback at rates up to 24-bit/96 kHz
- USB bus powered with 24-bit/96 kHz operation
- Cakewalk SONAR X1 LE included

Hands-On Work Surface
More akin to a mixer than audio interface in its industrial design, TRI-CAPTURE gives you hands-on controls for the most essential recording parameters. Three input paths are clearly labeled, with dedicated input knobs, peak indicators, phantom-power switches (for condenser microphones), and a Hi-Z input. You can record and play back at rates up to 24-bit/96 kHz for extra detail and clarity — great for capturing pristine vocals or acoustic instruments.

Flexible I/O
TRI-CAPTURE is equipped to handle a wide variety of patching scenarios. Plug an instrument into the 1/4-inch inputs (Hi-Z switch), plug a microphone into the XLR mic input (phantom-power switch), and plug stereo instruments or devices into the AUX input. Balanced 1/4-inch TRS outputs and a stereo headphone jack are provided as well. TRI-CAPTURE’s USB terminal is your one-cable connection to your Mac or PC. The interface is USB bus powered so no separate AC connection is required. TRI-CAPTURE is compatible with industry-standard ASIO 2.0 and CoreAudio drivers.

Triple REC MODE
TRI-CAPTURE's unique REC MODE section lets you choose instantly between three recording scenarios. (1) When you set the recording mode to “MIC/GUITAR”, you can record microphone and guitar sounds onto individual tracks. (2) When using “ALL INPUT” mode, you can record microphone and/or guitar sound in combination with the stereo output of an audio device. (3) With “LOOP BACK”, you can record microphone, guitar, and/or an audio device's output externally to software by combining audio data played on the computer. This is optimized for web-streaming applications such as Ustream. A master mute switch is also provided, as well as an INPUT MONITOR switch.

SONAR X1 LE Bundle
Every TRI-CAPTURE package includes a complimentary copy of SONAR X1 LE software for PC, which is designed to work fluidly and seamlessly with the interface. Derived from Cakewalk's award-winning SONAR X1 DAW software, the LE version give you a powerful set of software tools for writing, recording, editing, and mixing your music.

A History of USB Innovation
Roland introduced the world's first USB MIDI Interface, the S-MPU64, in 1998, as well as the world's first USB audio interface, the UA-100. In 1999 Roland debuted the world’s first USB MIDI sound module, the SC-8850, which could supply 96 simultaneous parts. In 2003, we launched the world's first multi-port Hi-Speed USB (USB 2.0) audio recording interface, the UA-1000. More than just being the first, however, Roland has maintained a meticulous track record of product stability. Solid, low-latency ASIO drivers are the basis of our USB products. We develop our USB MIDI/Audio drivers in house, which allows us to optimize the specs for each product, and gives us the flexibility to quickly update our drivers to correspond with new OS releases and to add new features.

Features

Additional Info

Product Features
  1. Easy-to-use Interface
  2. Unique Loop Back Function
  3. Xlr Mic Input With Phatom
  4. 1/4-inch Input W/hi-z
  5. Stereo Aux Input With Volume
  6. Balance 1/4-inch Trs Outputs
  7. Low-latency Asio Driver
  8. Usb Bus-powered
Catalog Number UA-33

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